Lea Willms

'Lea
		  Willms' is written in a whimsical, cursive handwriting style. Behind the
			words is a drawing of a galaxy and some stars in a similar style to the
			lettering. The lettering and drawings are in white over the top of a
			blurry background of various shades of blue A cutout of
		  Lea sitting on the floor in a child-like pose, with her legs out, and
			looking off to the side. She is wearing a grey short-sleeve top, black
			pants, and black shoes. She has long, brown, wavy hair which hangs over
			the side of her face, covering most of her face from view. A couple of
			tatoos can be spotted on her arms.
The album artwork for Lea Willms' debut album 'Marbles'. The album
			artwork shows Lea from the side, standing straight-legged, bending over
			to touch her toes. Behind her is a blanket fort. The scene is set against
			a blank white background.
Marbles
Debut album out now
Get it here
The album artwork for 'Cinema, alone'. The album artwork shows a blurry, over-exposed analogue photo of a woman in front of a dark background. You can't make out much in the image, but the colours are very vibrant - yellows, oranges, and greens.
Cinema, alone
The album artwork for Lea Willms' debut album 'Marbles'. The album artwork shows Lea from the side, standing straight-legged, bending over to touch her toes. Behind her is a blanket fort. The scene is set against a blank white background.
Marbles
The album artwork for 'Branding Bruises'. The album artwork shows Lea from the side, standing straight-legged, bending over to touch her toes. Behind her is a blanket fort. The scene is set against a blank white background.
Branding Bruises
The album artwork for 'Bittersweet'. The artwork is a blurry blue and white image of a child on a slide at a playground. You can't make out much else in the photo, but there are big blue blurry patches that could be bushes or trees.
Bittersweet
A polaroid of Lea Willms holding a digital video camera. Lea is facing straight ahead, holding the camera directly in front of her face. The screen of the camera is rotated so we can see it. We can see Lea's eye on the screen, directly in front of where her actual eye is. Lea is slouching on a retro armchair. The chair has wooden arms, and olive-green cushions. Lea is wearing all black, and has her hand rested on her stomach as she looks off to the side. Lea is squatting in a child-like pose on green grass in front of a low red brick wall. She is resting her chin on her hands, gazing at something off to the side.
Lea's merch t-shirt. The T is white with an abstract blue line drawing of  a butterfly landing on some flowers. Beneath the image is the text 'Lea Willms' in the same blue, in a groovy 70's style font.
Butterfly Bloom Tee
€22.00 or more


Design by Hugo Bernier
100% cotton tee, limited edition

With her unique blend of alternative-pop, indie and contemporary folk, Lea Willms’s craft pays homage to singer-songwriter traditions while adding a modern edge, creating a sound that feels both timeless and refreshingly new.

The folky lushness of Lea’s sound can be traced back to her roots in a small town on the banks of the river Rhine. Entranced by her parents' favourite artists (including Bob Dylan, Neil Young, and The Beatles), and struck by their ability to translate abstract emotion into words and sound, as a child, Lea began to pour her own feelings into scribbled lines on spiral notepads. These lines would become poems, and these poems became songs when she picked up her first guitar aged 14.

As in all good German fairytales, we follow Lea’s sound into the shadows. Despite its sweetness, Lea’s artistry is emboldened by a fierce courage to pull back the covers and face the monsters hidden beneath. Her lyrics handle messy emotion with sensitivity, as if she picks apart thorny tangles of vines to let the light in, bruising and tearing her fingertips in the process.

Answering her own call to the unknown, at age 19, Lea moved to Manchester. Here, Lea found herself for the first time in a creative community, learning from and collaborating with other artists. The four years Lea spent in Manchester studded the softness of her sound with a metallic, harder inflexion -like an iron brand of the city’s rebellious indie spirit.

In the past two years, she’s been recording her forthcoming album, “Marbles”, at Sloe Flower Studio in Chester, England, with producer James Wyatt. The album weaves together the sounds and places that have marked her journey so far, and, as the name suggests, documents the emotional knocks and collisions of navigating your early 20s. Themes such as love, loss, identity and doubt crash into one another, producing constellations of sparkling sounds. Despite the delicacy of the material, the output is nostalgic, clear and unbroken.

Currently based in Berlin, Lea’s quietly captivating performances compel her listeners to be still in a city running from its pain. In a city that also has a reputation for coldness, Lea’s introspective storytelling and evocative melodies draws her audience in, and holds their attention in a warm embrace.

Written by Alice Gee

Lea is standing
	  in front of a blanket fort with her back toward us. Inside the fort, a lit
		stained-glass lamp can bee seen. The lamp creates interesting shadows over
		the blanket fort.